John
Hughes and Nora Ephron. Ask me who they were a month ago and I would have
hesitantly laughed, questioning my knowledge and how I could not know who these
people were. I would then follow with a thought doubting the importance of the
two. Now, I would laugh at the questioner, responding, “Ferris Bueller’s Day
Off, Sleepless in Seattle.”
Before this class, I never really gave credit to the
writers of cinematic masterpieces. Ferris Bueller’s Day Off has been my
favorite movie since before I was twelve. I can still vividly remember asking
my camp counselor why he was wearing a shirt that said, “Save Ferris.” It was
an overnight camp so when I arrived home I pleaded and pleaded until I
convinced my parents to let me watch the movie. Although at the time I don’t
think I understood the growing up part of the movie, the movie itself was just
so brilliant to my young and impressionable self. You have the protagonist
Ferris who I saw as just the coolest guy (I mean he sang Twist and Shout
during a parade). The movie is the
greatest comedy film of all time, even if the class poll did not prove such.
The bigger picture, and what I learned, is how talented
and incredible John Hughes was. National Lampoons Vacation, Home Alone, the
list goes on. So I wonder, how did I not know of John Hughes? I love most of
his movies. I know the names of the main actors. And yet, I couldn’t even have
told you who he was a month ago.
The same problem arises with Nora Ephron. Sleepless in
Seattle, When Harry Met Sally. Obviously I am not as interested in these movies
as Ferris Bueller’s Day off, but the problem arises that I have no idea who the
writer was.
At first I thought this was more of an individual problem
of me simply not caring in general about who actually creates entertainment content
vs. who performs the content. However, when it comes to music I am fairly
familiar with who writes the music that I listen to. So I began to wonder if this problem is only
applicable to movies. When I read, I know the author. When I play a video game,
I actually am familiar, at least in some cases, with the writers. But when I
watch, I can really only tell you the network or the actors.
Before this class I was unaware of the great writing
behind some of my favorite movies. Because of this class I have started to
wonder who is writing what I am watching. Jon Bokenkamp writes The Blacklist
and Michael Bacall, Rodney Rothman wrote 22 Jump Street. This year I have
learned to appreciate those who write the films I watch, not just their
starring cast. It takes talent to create movies such as The Breakfast Club,
Home Alone, Ferris Bueller’s Day Off, and Lampoons National Vacation. After this
class I will never forget the names John Hughes and Nora Ephron because this
class has opened my eyes the pure brilliance they possess in the English
language.
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